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1. Her spike jonze cinematography movie#
2. Her spike jonze cinematography professional#
3. Her spike jonze cinematography free#

I also don't understand the logic of why she suddenly evolved from being stuck in apartment to controlling the whole world. An AI that is programmed to fall in love with you is A) pretty creepy and B) something of a closed box from an intellectual point of view. It could have worked if the apartment or Phoenix were interesting or engaging to look at, but it just all falls spectacularly flat.įinally, I just couldn't give a monkeys about any of the super serious themes that it allegedly explored. She ended up being just a floating disembodied voice. The moviemakers seemed to be more interested in what they could take away rather than give. I couldn't get with Her (Scarlett Johannson) at all. In other words, the exact opposite of this guy.

Her spike jonze cinematography professional#

I didn't even vaguely buy him as a professional greeting card writer: such a person would have to be extroverted and charismatic, seeing the good in all people and especially themselves. I think even a Tamagotchi would have shorted out its own batteries rather than spend another minute with him. The Joaquin Phoenix character was a boring, irredeemable sadsack. But from the very first scene to the very last, there was just nothing for me here. So it's fair to say that I was willing to give Her more than a fighting chance.

Her spike jonze cinematography movie#

I would rate Jonze's previous movie Adaptation (2002) as one of the greatest, and certainly the cleverest, movies ever made. I feel that the comparable movies Ex Machina and Blade Runner 2049 did a much better job with their themes of what it means to love and to be human. I failed to connect with anything that was going on at all, and found myself pretty much counting down the minutes until it was over. Jonze began with what could have been a one-joke idea, and in the course of getting it on screen, discovered the wellspring of love.This movie was a complete misfire for me. He's not a satirist he's a romantic transcendentalist.Īlthough sci-fi teems with cautionary tales of machines growing smarter than humans and taking over the world, on the basis of Her, I think Jonze yearns on some level for what futurist Ray Kurzweil calls "the Singularity," when machines will take on human characteristics and our minds will be expanded by machines. The first time I saw Her, I was disappointed that director Spike Jonze didn't explore the Big Brother aspect, or the way whatever company created Samantha would track its users' buying habits and so forth.

Her spike jonze cinematography free#

Every image is colored by emotion - and by the longing to break free of one's limited self and merge with another being. But mostly we're in Theodore's head, and Jonze creates a lyrical, impressionistic palette.

Amy Adams plays a friend of Theodore's who designs computer games and has her own relationship problems. Theodore and Samantha aren't the only show in Her. He's in mourning for a wife, played by Rooney Mara, who left him for reasons remaining vague they simply fell out of sync. The irony is, he can't find words to communicate with people in his life. The character has a job writing cards and letters on behalf of other people - intimate, sometimes erotic. Joaquin Phoenix plays Theodore, and it's the performance of the year. People eagerly embrace a new kind of OS - what an ad calls "an intuitive entity that listens to you and understands you and knows you."

When Her begins, it doesn't seem as if it's going to be a romance but a sci-fi social satire, set in an unspecified future Los Angeles in which the architecture has no connection to people - they stroll through faceless plazas gazing into electronic devices, talking to unseen listeners. I certainly identify with the protagonist, Theodore Twombly, who falls in love with his computer operating system, his OS, which calls itself - sorry, I gotta say " who calls herself" - Samantha, and who sounds like a breathy young woman. It's gorgeous, funny, deep - and I can hear some smart aleck say, "If you love it so much, why don't you marry it?" Let me tell you, I'd like to! Her is the best film of the year by a so-wide margin. With: Joaquin Phoenix, Amy Adams, Rooney Mara, Scarlett Johansson Rated R for language, sexual content and brief graphic nudity.